On murdering one’s darlings.
Confucius say: People who leave yesterday’s coffee mugs on desk sometimes take grody drink of yesterday’s coffee.
In high school, one of my teachers taught us this phrase. The fact that for years I went around misquoting it as “kill your babies” is neither here nor there.
I still have about 4,000 words of resolution to go in my WIP. And the way the climax turned out has given me a bunch of tiny tasks, mostly maintenance for one character in particular, and a bolstering of one subplot.
Standing now at third base and preparing to make the run for home, I scan the field and see that something is wrong.
Somebody has to go.
“But HER?” Little Green Notebook asks. “Surely you don’t mean HER! We love her!”
We do love her.
“She has a purpose!” LGN squeaks.
I know she does. But I’m starting to feel that her purpose would be better served by another character.
“You’re going to lose that awesome joke about the dogs.”
That’s true.
The notebook hides under a coffee mug while I think about it.
I made a list of pros and cons. The pros outnumbered the cons. How is that supposed to work, anyway? Does quantity win? Because the numbers are in favor of keeping this character, but my gut tells me she must go.
Early in my TV career, I worked on the best development team ever. Because there was so much trust built into the team, you were pretty much free to say anything and believe that it would be received openly. That team taught me two things: (1) the story is the king, and (2) if it doesn’t work, cut it. No matter how much you love it.
I love this character, but I suspect she exists more for me than for the story.
Perhaps I should let the husband read before I haul out the excavator and start removing large chunks of storyline (see, and that’s the thing — she’s outside the storyline — and that’s how I know she has to skedaddle).
January 20th, 2007
Blog RSS Feed